The latest Sofia Coppola film is one of the best movies of 2023 thus far, delivering a heart-wrenching depiction of Priscilla Presley’s side of the story.
Tag: movie review
Cocaine Bear’s rampage and comedy make for a fun trip
While Universal Pictures “Cocaine Bear” doesn’t have a grand, well developed plot line, the mindless violence and escapades make it an enjoyable ride.
Say their names. Emmett Till and Mamie Till-Mobley.
The movie “Till” showcases Mamie Till-Mobley’s decision to have an open casket for her son, Emmett Till, who was kidnapped and brutally beaten because of a malicious accusation made by Carolyn Bryant Donham. All suspects walked free and Donham faced no consequences after admitting she lied in her unpublished memoir in 2008.
This Valentine’s Day, avoid watching “You’ve Got Mail”
You might be tempted to watch this Meg Ryan and Tom Hanks rom-com, but be warned. The ‘love story’ in “You’ve Got Mail” is anything but charming.
“The Fabelmans” is a journey of inspiration
Spielberg’s new film, “The Fabelmans” aims into the heart of a young filmmaker’s growth from youth to adulthood.
Film Review: Best Picture nominee ‘The Trial of the Chicago 7’
In this film review series, reporter Christian Lopez will be going through all seven Best Picture nominees for the 93rd Academy Awards in April. “The Trial of the Chicago 7” depicts the 1969 trial of the Chicago seven, a group of men charged by the U.S. for inciting riots the previous year.
Film Review: “Judas and the Black Messiah” parallels unrest in present day
In this film review, reporter Christian Lopez discusses “Judas and the Black Messiah,” which follows the true story of an FBI informant who infiltrates the Black Panther Party in the 1970s.
Live action “Mulan” brings dishonor to Disney
Yes, diversity matters off camera too.
‘It Chapter Two’ is almost great, but mistakes drag it down
“It” has a lot going for it, the acting and direction are fantastic, but as the story unwinds the film begins to fall apart.
‘The Nightingale’ sings a bitter song
‘Babadook’ director’s second effort shines despite flaws.